Thanks, once again, to Graham Hancock for the lead to this new study on the effects and the likely vital role the chemical DMT plays in human survival.
DMT is one of the ingredients in Ayahuasca and is a powerful vision producing chemical in humans. It has been speculated to have a seminal role in the bringing of consciousness into and then out of the human body at birth and death, leading Dr. Rick Strassman and others to call it the “Spirit Molecule.”
This new DMT study suggests a survival role for DMT and explores how it may extend life and revivability during the trauma of clinical brain death by flooding from the lungs into the brain to fight the damage from loss of oxygen.
It has been understood by many for some time that DMT is endogenous in humans, but most have thought that it originates within the brain itself in the pineal gland. This is the first time I have heard of it being sourced in the lungs, which actually makes a lot of sense if we understand the role it seems to be playing. Also, the concept of DMT connecting with the serotonin receptors in the brain may need some rethinking since serotonin itself is not hallucinogenic.
This Indiegogo campaign is to raise funds for basic research in this very restricted and expensive area of scientific inquiry.
I am always fascinated with new scientific data that works to bridge the gap between our reductionist physical world concepts and the so-called metaphysical or other-dimensional concepts and experiences we can have under the influence of entheogens or spirit medicines like Ayahuasca and DMT itself. If spiritual experiences are “real” and not just brain fiction, there must be a “real” connection in physics, biology, and chemistry. Claiming today that such rational links do not exist and then asserting that all such experiences are, therefore, fiction is a bit like someone from the early 1800s, before James Clerk Maxwell showed that electromagnetic waves could propagate through open space, saying that humans could not possibly talk long distances by “magic” vibrations through the air. The science for it existed even then. It was just unknown to the speaker. Or, as Arthur C. Clarke famously put it:
“Any sufficiently advanced technology is indistinguishable from magic.”
My posting frequency on this blog has slowed recently due to my becoming deeply involved in writing my first novel. The book, an epic science-fiction/fantasy series, is approaching completion and I will update this blog as I can, but I thought that for now I’d post some recent thoughts in the forms of a poem and a digital image or two.
Often, I find myself simultaneously holding different visions of my humanity. On one hand, I sense the melancholy (which is not the same as sadness or hopelessness) of our situation here in this physical reality. It is the conundrum of Ralph Waldo Emerson’s metaphor of the Stairs that I’ve spoken of several times in these pages. Upon those stairs, we awake and know not whence we came, nor where we are bound. It is an authentic and enduring melancholy for every person–a melancholy borne of that mystery.
On the other hand, I feel a strong imperative to constantly and consciously create real happiness and fulfillment for myself within the time I exist upon those mysterious stairs. I do so by being a creator and I live that role right now. This is the only way to be in this life that brings me (or, I will maintain, anyone else) true joy. It is what Casteneda called a “Path with Heart,” and it brings unexpected delights and challenges to us, while each of us also remains involuntarily bound to that mysterious river of time that leads us to an unknown destination.
Those two visions emerged into two different creations recently, and I thought I’d share them here while I may be away from more regular blog posts for a while.
The Melancholy observation is represented by a poem that is my take on Emerson’s Stairs. It came fully formed out of sleep and the spirit realm of dream last night. The accompanying image (above) is my digital art alteration or enhancement of a detail from one of my favorite painters, Thomas Cole. (It’s from his four panel “Voyage of Life” series from 1842.) His paintings include some directly religious elements, but I believe the idea of guidance from “outside” of ourselves is possible in many shapes and forms that cannot be empirically measured. We are, in any case, on the boat and in motion to an unseen destination.
The Creative/happiness/joy/challenge observation is an original saying and a digital artwork rendered on a moonrise photograph I took along the Caribbean coast in Costa Rica a few months ago.
May we all continue to look, wonder, and choose to make our time upon the waters of life worthwhile by creating joy.
In fragile boats
Clad with skin.
We make no stops–
Frail vessels that
Set no anchor.
The wind blows
Our measured course
Fades in mists
[David P. Crews, 2015]
[Click any image for full size.]
All of my life I have deeply loved books and libraries. As just a small boy, I remember how I felt when I first learned about the famous destruction of the Library of Alexandria in ancient times. What an inconceivable loss it was for humanity – setting us back perhaps a thousand years in terms of knowledge and progress. To my child’s mind, it was a horror: the unspeakable loss of all that knowledge and of the wonderful physical books themselves. It may have been the first time I felt an intense exasperation over senseless injustice caused by the actions of ignorant people – something that still manifests in the modern world.
I know now that whether human caused or the result of natural disasters, all collections of knowledge are vulnerable to eventual destruction, especially the individually curated and conserved libraries that we carry around with us through our lives: our personal knowledge and experiences, our stories, our memories, and our philosophies. Each of us contains an amazingly vast repository of these things, and the human brain is still the most complex object known to exist in the universe. As we know too well, however, we are individually subject to dangers and death, and even if we live a full life, natural death will eventually close our library forever. In a strangely real sense, every person is a Library of Alexandria, doomed to destruction.
I felt this quite personally when I was trying to record my Mother’s knowledge about a large collection of family photographs that range back into the 1800’s. Without her memories, many of these will become disassociated from their personal stories and history and flatten into what so many old photographs are: just an old, vintage photo. It saddens me to see such family images for sale in antique stores. Someone’s family heritage and history was lost. Their library “burned down” and there is no way now to recover the information. We can only look into the eyes of that long-passed person and wonder. There are thousands of such images in my family library and I wanted to preserve as much information as possible, so I began recording my Mother, who was happy to help until her health failed and we had to stop. Now, the opportunity has passed and, as much as my sisters and I may remember of it all, there is yet a large, deeper mass of information that has been lost permanently.
That is just one family and one person’s passing. How many billions of such libraries have perished? It boggles the mind to consider it and to imagine what has been lost along the way.
Writing, itself, is a human invention designed to transmit information over time and space, but it cannot contain all that might be recorded. With our modern electronic technologies, many are trying to address this issue by preserving not only books, but other forms of history and knowledge, including digital data, sound recordings, and photographs. Perhaps it will survive, but there are many who warn that our digital data is more vulnerable than the papyrus scrolls were, stacked in their racks in Alexandria. Perhaps some remote and massively secured vaults will protect some of it for a far future, but will anyone be able to make the ancient machinery work, or themselves make new machines that can access and display the data? Will future historians look upon our time as a sudden blank in history because all of our stories and information went into a technical form that cannot be retrieved? I wonder.
When we look back on ancient lands like Egypt, we should realize that 3,000 years ago is not so far back in time, really. Now, the papyri and the painted tombs are fragile and rare, deteriorating with every year that passes. What seems to stand the test of time best is the simplest and, some might think, most primitive technology: engravings into stone. In Egypt and other lands that so carved, even these records are shattered, chipped, scattered, and represent incomplete versions of their original states. It is disconcerting to realize that modern man has left comparatively little of our thoughts carved into simple stone.
So, in the end, even if that end is a far off future where our civilizations are as murky as Egypt’s or as vague and mythical as Atlantis, does it really matter? Should we be concerned, or try to make a deeper, more lasting mark that may, somehow, survive for our unknown future children? Yes, some are trying to archive and store mankind’s knowledge and they may succeed to some degree, but it is likely that most of it will be lost over vast ranges of deep time. We may, indeed, be living in a future time’s Atlantis – our reality a mythological place to those future kin. Ours a human world that may have existed in some form but can’t be proven. A dream out of Time.
In the final analysis, we cannot truly save our worlds. All is in constant motion and does not return again to the same place. Those that come later will have their own world and will not have time to relive ours, even if some of our knowledge may be useful to them, either as practical knowledge or, perhaps, as a warning of what to avoid.
These are melancholy thoughts, and for the majority of us, probably best considered once and then left behind as we pursue our own individual life paths. Perhaps, though, and at a personal scale again, we should at least think about preparing for our own Library to burn down someday and spend some of our time documenting the contents that we think our families, at least, might want to know later on.
We shall not be able to hold on to all we love, and that is just a part of how life is, but some in the future may truly desire to have even a small portion of what we know. I still wish I could have documented more of my family photographs with Mom before she was gone, and I still remember that little boy I once was and how deeply and personally hurt I felt at learning of the loss of the Library of Alexandria – something that happened some 2,000 years before I was born.
We may honor the past and future or desire them greatly, but we cannot live there. It is useful to remember that we honor and desire them in the present moment.
All that truly exists is NOW.
Stepping Outside the Shadow
In an earlier post, I spoke of Ralph Waldo Emerson’s metaphor of the stairs. It is a disturbing observation, precisely because it is the simple, honest assessment of the fundamental experience of all men and women. In his essay “Experience,” he states:
“Where do we find ourselves? In a series of which we do not know the extremes, and believe that it has none. We wake and find ourselves on a stair; there are stairs below us, which we seem to have ascended; there are stairs above us, many a one, which go upward and out of sight.”
We, each of us and collectively, wake upon these stairs from a shadow of unknowing. Furthermore, we live our lives inside a kind of cosmic prison whose bars are made of unreachable stellar distances, vast time, and the necessarily precise material nature of our fragile yet essential protective physical environment. When our encased and brief life ends, we enter a shadow of greater unknowing – greater not by essence, but by virtue of our ability to perceive and anticipate it. It leads us, we know not where.
Is this our lot, not to know, not to ever understand? Are we mere chemical accidents–embodied processes running meaninglessly on for a brief moment? If not, and if we are more than that, can that part of our nature that is beyond the reductionist machine, give us the insight we seek? Can it give us energy and something of value to accomplish? How can mankind escape his prison of shadows?
William Blake once wrote, “Imagination is the real and eternal world of which this vegetable universe is but a faint shadow.” Some say that all the apparent universe we see–all of reality–is literally created by our thoughts. That may be so, but the old stairs seem solid and unchangeable. It is unquestionable however, that we are unique beings that have the ability to create new things and new cultures from the images we conjure in our minds, images that arise out of veriest nothing. Images that have no source in the cold stairs of our cosmic prison. We have the ability and power to live another life concurrent with the merely physical, a life that constitutes a different universe and a new set of stairs created and described by our own minds and hearts.
With this ability, we can step beyond our restricting shadow-shell and use our new energies for either positive or negative ends, but we must choose our inner path with care. There are shadows here of a different kind. Carl Jung said, “Where love rules, there is no will to power; and where power predominates, there love is lacking. The one is the shadow of the other.”
There is a balance to be obtained between the finite world of physical bodies within gross material life and the inherently infinite universe within our minds – that well of infinite possibilities that has propelled us so far as a species in so short a span of time. The Christian mystic, Thomas Traherne, put perhaps the finest focus on the matter when he wrote, “Infinite Love cannot be expressed in finite room: but must have infinite places wherein to utter and shew itself. . . . And yet, it must be expressed in a finite room. . .”
All of this is to paraphrase and restate a view expressed with eloquence by one of the last century’s finest essayists, Loren Eiseley. In The Invisible Pyramid, he writes:
“In man, moreover, consciousness looks out isolated from its own body. The body is the true cosmic prison, yet it contains, in the creative individual, a magnificent if sometimes helpless giant. John Donne, speaking for that giant in each of us said: ‘Our creatures are our thoughts, creatures that are born Gyants. . . . My thoughts reach all, comprehend all. Inexplicable mystery; I their Creator am in a close prison, in a sick bed, anywhere, and any one of my Creatures, my thoughts, is with the Sunne and beyond the Sunne, overtakes the Sunne, and overgoes the Sunne in one pace, one steppe, everywhere.’
“This thought, expressed so movingly by Donne, represents the final triumph of (the) interior microcosm in its war with the macrocosm. Inside has conquered outside. The giant confined in the body’s prison roams at will among the stars. More rarely and more beautifully, perhaps, the profound mind in the close prison projects infinite love in a finite room. This is a crossing beside which light-years are meaningless. It is the solitary key to the prison that is man.”
[Loren Eiseley, The Invisible Pyramid, Charles Scribner’s Sons, New York, 1970, pp. 48–49.]
In this way and along this path, we can choose to express our inner creations for love rather than power, even as we are trapped, contained within the narrow prison of our bodies and lost somewhere along an unexplainable stairway. This is the difference between those shamans who choose healing over sorcery. It is the open heart that brings health and joy to our shadowed life. The words of Traherne again ring true:
“This moment exhibits infinite space, but there is a space also wherein all moments are infinitely exhibited, and the everlasting duration of infinite space is another region and room of joys.”
“You never enjoy the world aright, till the sea itself floweth in your veins, till you are clothed with the heavens and crowned with the stars.”
A new poem and artwork today.
It speaks of unfathomed dimension and scale in the human mind and soul.
[click image for larger]
The Stars Within
Are we so small?
And yet are we many,
Oh so many, glowing here and there?
Bodies of intricate illusion,
Tiny swirls of light and bone?
Each contains a galaxy.
Breath and beat, independent
Engines that move us,
Just like all the others.
Fear and happiness
Shaping the face
Our mind looks out of.
Step within to see the trick.
Vastness. Volume –
Filled with stars.
Each the color of a memory.
Ideas cluster and flare: suns
Lighting the dark lanes.
Hard and cold planets, some
Massive and others minor;
Worlds of water and storms;
Orbs of unspeakable beauty,
Filled with people and stories;
Turn themselves ’round
And whirl within.
Some we craft with careful
Intention, spinning each one
Lovingly. Returning there,
Spending time, comforted –
Renewed by loved lands and faces.
Others, uncalled for,
Rush up to surprise us –
Alien visions within our domain,
We wonder who made these
Worlds we did not plan.
Our galaxy is so vast.
The stars within swirl right around
And sing the strands of Life.
They swirl right ’round:
An unexpected gleaming nebula
Clothed in humble membrane.
An unchartable symphony,
An unexpected dimension within.
A million million stars and worlds
Dance and turn about
An invisible Center,
An obscured Mystery.
We are many and oh so small,
And when each one is no more,
A wide galaxy, a very Universe
Transforming, winks away
Into unknown night.
– – – – –
[© David P. Crews, 2013]
“In the desert, water in any amount is a tincture, so holy that it will burn through your heart when you see it. . . . If you want to study water, you do not go to the Amazon or to Seattle. You come here, to the driest land. Nowhere else is it drawn to such a point. In the desert, water is unedited, perfect.”
– Craig Childs, The Secret Knowledge of Water,(Boston: Little, Brown and Company, 2000)xiii-xvi
A quote from one of my favorite books on the desert by Craig Childs, The Secret Knowledge of Water. It is unlike any other nature or desert book I’ve ever read. Simply marvelous.
My photograph is from Big Bend National Park, on the flats of Terlingua Creek. I was hiking to the right-hand fracture, called Brujo Canyon (meaning magic or sorcery). I almost did not make it back across due to lack of water and overexertion. A hard lesson. I almost died in that awful, bright, oppressive, scintillating, intriguing, dangerous, wonderful place. It was a white hot dance and a reducing to that which is most simple. Beckoning and deadly.
“You have little time left, and none of it for crap. A fine state. I would say that the best of us always comes out when we are against the wall, when we feel the sword dangling overhead. Personally, I wouldn’t have it any other way.”
– Carlos Casteneda, Tales of Power
You may have noticed a recurring theme in this blog: that of Space and Time expressed in photos and essays about time and about the spirit spaces of our minds, as well as the grand physical spaces of America’s western landscapes.
I recently had my time sense recalibrated in a very direct way when my mother died this April. She had many illnesses and we knew her journey on this plane was limited. I was prepared for the event of her death, but, being very close to her, I wondered, aside from grief, how it would alter me after the fact. Grief is one thing – a powerful and human reaction that cannot and should never be denied. Beyond grief, however, I have been intrigued with the time perspective that her death has given me. This new and rather visceral perspective I have found to be valuable, rather unexpected, and somewhat alarming. All these reactions are useful ones, I believe.
When someone close dies, even expectedly, beyond the loss itself is the factual realization that that person’s timeline has stopped. That sounds simplistic and obvious, but I’m not referring to an intellectual realization of this raw fact. Rather, I mean a gut-level, “now I get it” effect. It is a combination of the cognitive knowledge with the emotion of that loss and then the application of that to one’s own self.
As I consider my Mother’s life, I know she lived 31 years of time before I was born. Now, barring accident or illness, I will have approximately that long to live after her life’s time is over – some 30 years if I’m lucky. I have a true feel for what 30 years is now. I’ve lived it almost twice. I can remember things from 30 years in my past as if they happened yesterday. I can project 30 years into my future with ease. I can see myself reaching that point she has reached as if it were tomorrow. That vision, so clear now, makes me flinch a bit.
This perspective, hammered home by Mother’s actual passing, levers me to be aware of and to appreciate my days more. It compels me realize with a deep inner understanding that I did not previously have, that my time, too, is very limited. I now view this future segment of my time as a new kind of resource, different in some sublime and deep way from the previous timelines in my life.
We are inundated by stories and reports of death every day in our various entertainments and news. It is another kind of thing to view it in stark reality and yet apply it boldly to one’s own life. This is the perspective change that brings the Third Act of life and can either make one angry and fearful, or inspire one to create and to play in the world to make a difference for one’s self and for others – what Carlos Casteneda called “following a path with heart.”
One of the very useful ideas in Casteneda’s books is when he has Don Juan talk about “death as an advisor.”
“Death is our eternal companion . . . It is always to our left, at an arm’s length. . . . It has always been watching you. It always will until the day it taps you. . . . One of us here has to ask death’s advice and drop the cursed pettiness that belongs to men that live their lives as if death will never tap them.”
– Carlos Casteneda, Journey to Ixtlan, p. 54 – 56.
For myself now, I am glancing over my shoulder from time to time and asking my own death whether what I am doing is worth doing in my time. Is it a path with heart for me? The time for just “going along” is over. It is time for new ventures and the pathway to fulfill old dreams beckons me.
My long professional career has been fun, but not very successful monetarily, so it’s time to create something new and put into action a “plan B” for those very distinct 30 years I may yet have. That is what I am engaged in now with the full intention to follow my dream. I’ll not describe my plan until it is better underway, but perhaps this new perspective I received from the event of my mother’s death is just the catalyst I needed to begin such a major change, creating my dreams as I walk time’s path, each day weighed for value and for heart. If so, it is the final, potent gift of a very loving parent to me, the son who loved her from the moment my time started.
[Article on the Creators Project by Kevin Holmes]
The pineal gland, located deep inside the brain, has been the subject of interest and speculation by many cultures over centuries because it is the physical link to mystical experiences. Presumed to be vestigial, it is the physical Third Eye, actually sensitive to light. Dr. Rick Strassman has postulated in his landmark book, DMT – The Spirit Molecule, that the pineal is the link, gateway, and/or trigger to the spirit dimension and plays a role in what happens to us at death. Many mystic traditions have used light and light effects to stimulate the pineal gland and obtain visionary experiences without the help of add-on entheogenic substances like DMT or Ayahuasca, but now a couple of men, Dr. Dirk Proeckl and Dr. Engelbert Winkler, have created a programmed light projection system combined with software that produces a strong vision experience to users. It is being presented as an art display in London and elsewhere, called Lucia No. 3. Users sit with eyes closed and listen to masking music while the light is projected onto their face.
The article is here, with more images.
I’m always fascinated by the scientific ties to spirit or mystic experience. This is the frontier of the Unknown in science and there are many false trails and misleading data, but it is clear that there is a true connection between the pineal gland, the endogenous (naturally occurring within us) presence of DMT, and mystical or spiritual visionary experiences. Traditions worldwide going back thousands of years have trained and used it to achieve certain states. From the article:
“The pineal gland is strange part of our brain and has been linked with the esoteric third eye, which has been written about in every mystical tradition—Gnostic, Hinduism, Buddhism, Taoism, and many more. Advanced yogis are able to use it, and it’s supposed to suspend our linear notion of space-time and take you on a trip into the cosmic mind hole. If this all sounds a bit hippyish, that’s because it hasn’t been explored by many others outside of the mystical traditions and the sub/countercultures they inspired.”
I would love to experience this and I hope they will exhibit in my part of the world. The entire idea of bringing modern scientific technology to this ancient insight and practice bears much more research and experiment.
My last post about the Mayans made me think about how they revered caves and other underground spaces as sacred portals to the afterlife, so I thought I’d post this recent image of mine from Carlsbad Caverns Nat. Park.
I recently had major surgery where I was given Propofol for anesthesia. This article talks about that drug and how some researchers are studying patients undergoing anesthesia for clues to understanding consciousness.
The Propofol experience was very strange and so completely opposite of what I experienced with Ayahuasca. It was like an off, then on switch. Nothing in between.