A Soundscape by David P. Crews
[Total run time: 1:17:00]
Ayahuasca–Rain Passage is a visionary sound experience by award-winning musician David Crews, centered on a recording made on his second venture into the Peruvian Upper Amazon to work with the most renowned and respected whole-plant spirit medicine in the world, called ayahuasca–the Vine of the Soul. A jungle rainstorm arrived to guide the ayahuasca ceremony with the energy of Yacumama, the Water Spirit of the rivers and forest, bringing power and depth to the intense visions received from Madre Ayahuasca herself.
About the Music:
“This is a minimalist and immersive ambient soundscape. I designed this to be a deliberately slow and long work to suggest to the listener the mental and spiritual space one enters when working with ayahuasca in traditional ancient nighttime ceremony (which normally lasts from four to six hours). It is based on a 24 bit digital recording, made on location, of the natural sounds environment at SpiritQuest Sanctuary on the Rio Momón, a tributary of the Amazon. It includes the evening chorus of animals and insects, a large tropical downpour, and the post-rain night chorus. This is blended with the spirit songs of the shaman and my original deep electronic music ambient elements.
“Ayahuasca is best encountered when one is surrounded by and embedded into the vast living being that is the Amazon forest. My intention was to make a long-form piece centered on that rainstorm that, while containing creative electronic musical elements, remains an experiential ambient work. Great care has been taken to blend and guide the slowly evolving moods. In ayahuasca, each participant’s specific visions are unique, so I have presented a kind of impressionistic portrayal of the vision experience, very much centered in the entraining of the mind by the rhythms and white noise of the traditional songs, the leaf rattles, and the rain. At 1 hour, 17 minutes in length, this contiguous piece is best listened to in one sitting, when one is ready for an immersive meditational and transforming experience. It also works well as a low-volume truly ambient environment.
“The icaros (spirit songs) heard in this work were also recorded on location, during actual ceremony. They are the songs of don Rober Jarama, the highly esteemed banco ayahuascuero shaman associated with SpiritQuest. I have worked with don Rober over a seven-year period. He is completely authentic and simply amazing in his dedication to traditional mestizo and tribal shamanism in the Amazon. You will hear him whistle his opening Arcana to place spiritual protection on the participants, and also some of his sung icaros that help guide the ceremony throughout the night. Also prominent are the rhythmic sounds of the schacapa, a dry-leaf rattle that helps entrain the mind as the visions progress.
“The musical elements were created with LogicPro X on a Macintosh system and include timbres created in Alchemy, Air Xpand!2, ESX-24, EWQL Symphony samples, and other instruments and modules. Performance, production, and mastering completed at JaguarFeather Studios, Austin, Texas.
“My thanks and love to maestros don Rober Jarama and don Howard Lawler, and the staff and friends of SpiritQuest in Peru.
“I hope you find this journey into the incomparable vision space of ayahuasca to be useful, sublime, and amazing. Blessings and Light!”
-David P. Crews
“A prophet is not without honor except in his own country. . .”
An observation about reintegration and sharing one’s non-ordinary experiences for good or for ill.
Anyone who has worked authentically with Ayahuasca, gaining sight and knowledge, healing and wisdom, is partaking in the mythic Hero’s Journey. He or she is a legitimate explorer–one who travels to dangerous places, passing barrier guardians, personally encountering the divine Spirit or Spirits, and willingly undergoing tests and challenges that are often terrifying and that threaten survival. When the exploration ends, we who have so ventured return to our mundane world once again, full and overflowing with what has been taken in and we are electrically charged with it. It is a boon for ourselves (this is why we took on the challenge). We wish it to be one for our friends, our family, our tribe: those who did not and would not ever cross the border we crossed; those who would or could not face the challenges and return with the great wealth.
One of the most challenging parts of the Hero’s Journey then, is the return: the reintegration into the “normal” everyday world and trying to fulfill our role as conveyors of the treasures we found and the discoveries we made during our dangerous endeavor. It does not always work, this re-entry into our old world and it can redound to our discomfiture in our relationships with others. Joseph Campbell put it this way:
“[Prior to the Hero’s return from] the mystic realm into the land of common day. Whether rescued from without, driven from within, or gently carried along by the guiding divinities, he has yet to re-enter with his boon the long-forgotten atmosphere where men who are fractions imagine themselves to be complete. He has yet to confront society with his ego-shattering, life-redeeming elixir, and take the return blow of reasonable queries, hard resentment, and good people at a loss to comprehend. . . .
. . . As dreams that were momentous by night may seem simply silly in the light of day, so the poet and prophet can discover themselves playing the idiot before a jury of sober eyes.
. . . How to render back into light-world language the speech-defying pronouncements of the dark? How represent on a two-dimensional surface a three-dimensional form, or in a three-dimensional image a multi-dimensional meaning? How translate into terms of ‘yes’ and ‘no’ revelations that shatter into meaninglessness every attempt to define the pairs of opposites? How communicate to people who insist on the exclusive evidence of their senses the message of the all-generating void?”
This, Campbell says, is “the hero’s ultimate difficult task.”
–Joseph Campbell “The Hero with a Thousand Faces” (New Jersey, Princeton University Press, 1949–Second Edition, 1968), pp 216-218.
After my first, most powerful and transformative foray into the realms of the Other, I naively presented my journey’s logs and observations to those who are close to me. The reaction was something like that one described by Campbell–the semantic and ontological challenges the very same as he outlined. Sometimes, I wonder if I should have done it, for he also wrote of the hero who might be tempted to “commit the whole community to the devil and retire again into the heavenly rock-dwelling, close the door, and make it fast. But if (an obstruction to his retreat has been placed), then the work of representing eternity in time, and perceiving in time eternity, cannot be avoided.”
[ibid, p. 218]
And, so I continue to share what I have experienced. I do so in diverse ways, including (especially) in this blog.
Excellent video podcast with Amber Lyon of reset.me, in an engaging and fascinating interview with my dear friend and shaman maestro of the Amazon, don Howard Lawler, aka. Choque Chinchay. This is a wonderfully long in-depth discussion about Ayahuasca–what it is and isn’t and how it is properly (and improperly) approached and worked with in its native Amazon setting. Howard is a superb teacher as well as shaman and it is always a blessing to listen to his knowledge and wisdom about the great teacher plants, especially Ayahuasca. This was shot on location at the SpiritQuest Sanctuary in the Upper Amazon where I’ve twice been fortunate to travel and to engage with the great plant teachers under the care and compassion of don Howard and don Rober.
I’ve spent many hours listening to don Howard, asking my questions and having in-depth discussions about the medicine. When you listen to him, you are hearing long and deep experience from one of the most authentic of the Amazon’s medicine men, and probably the best communicator in English for and about Ayahuasca. Enjoy.
I believe it is a valuable exercise and privilege to be allowed to see ourselves from a completely different perspective – one from the “outside.” For Westerners, our civilization and culture dominates our worldview so thoroughly that it is difficult to find such an “exterior” assessment of our own ways. Here is one – one that is authentic. This article from The Guardian features some of the observations of Davi Kopenawa Yanomami, one of the most influential tribal leaders in Brazil and an Amazonian shaman. As article author John Vidal says,
“In the past 25 years, he has travelled widely to represent indigenous peoples in meetings and, having lived in both societies, he has a unique viewpoint of western culture. With the help of an anthropologist, Bruce Albert, who interviewed him over several years, he has written his autobiography. It is not just an insight into what a Yanomami leader really thinks, but a devastating critique of how the west lives, showing the gulf between primordial forest and modern city world views.”
A few choice excerpts from that autobiography (from the article):
On western wealth –
“Their cities are full of big houses and innumerable possessions but their elders never give them to anyone. If they were really great men, should they not tell themselves that it would be wise to distribute them all before they make so many more?”
On shopping –
Their thoughts are constantly attached to their merchandise. . . .They do not seem concerned that they are making us all perish with the epidemic of fumes that escape from all these things. They do not think that they are spoiling the earth and the sky, and that they will never be able to recreate new ones.
On western cities –
Their cities are beautiful to see, but the bustle of their inhabitants is frightening. People there live piled up one on top of another and squeezed side by side, as frenzied as wasps in the nest. . . . I can never think calmly in the city. . . .Whenever I stay there too long I become restless and cannot dream.
On the environment –
When they speak about the forest, white people often use the word “environment”. What they refer to in this way is what remains of everything they have destroyed so far. I don’t like this word. The Earth cannot be split apart as if the forest were just a leftover part.
To my thinking, agreement or disagreement with this shaman’s specific views would be beside the point. What is important is listening to him and others like him – finding perspective and truth in the refreshingly honest view of ourselves and our culture spoken by those who live in another, nature-based society. Especially so, as their worlds are being so impacted by ours, whether they wish it or not.
The autobiography is:
“The Falling Sky: Words of a Yanomami Shaman” by Davi Kopenawa and
Bruce Albert, published by Harvard University Press.
One of the most interesting writers about Ayahuasca is the featured author on Graham Hancock’s website this month. Rak Razam’s article on the “State of the Vine” is an interesting overview of how the great plant medicine is viewed, used, and evolving into our modern cultures. Rak wrote two excellent books on Ayahuasca: “Aya Awakenings: A Shamanic Odyssey” and “The Ayahuasca Sessions” (www.ayathebook.com) and continues to verbalize many views and overviews of the medicine, giving perspectives that are sometimes lost in the tangle of the vine as it is being used and sometimes abused today.
I was particularly struck by this excerpt about the reason many Westerners have decided to approach and work with Ayahuasca. I am one of these seekers, coming as I did to it at the same time Rak did in 2006:
“So when tens of thousands of Westerners started coming in search of ayahuasca–the vast majority with no obvious ailments–the curanderos soon realized there was still a sickness: this one of the soul, a spiritual malaise where people talked of being disconnected from nature, from the whole idea of spirit and spirituality, in any tangible way. That is why the came seeking visions, wanting to see spirits and validate the spiritual world that has long been disconnected from the West. They were filling a burning ache within them for re-connection, which is, of course, what religion means in the original Latin.”
If you have read my series on my original encounter with Ayahuasca, you know that this describes my reasons and approach to the medicine quite well. It also describes my actual experience in re-connecting with the Spirit of life itself. Working with Madre Ayahuasca led to the first and so far only event in my life that I can unflinchingly call a “religious experience.” One that was all the more mind and eye-opening for having had nothing at all to do with the religion of my first forty years on this planet, and everything to do with the life of this planet itself.
“These are still early days, and for all the teething issues that hit the headlines, a great archaic revival is underway, an understanding of the true nature of our reality and what we are embedded in. This is the true beauty of ayahuasca, and the invitation to become part of this movement is there as the vine reaches out to embrace the world.”
Her spirit infuses my life continually, as I am certain it does for most who encounter Ayahuasca with a good heart and honest intentions for visionary healing and enlightenment, whether that healing be physical, emotional, or spiritual.
An interesting graphic animation of a reading by Dennis McKenna from his book “The Brotherhood of the Screaming Abyss.” In it, he describes a particularly awe inducing vision experience with the medicina. Dennis is the brother of the late Terence McKenna and his book is a good read about their relationship and their various pioneering adventures working with Ayahuasca and other entheogens.
His great vision, related here, is the kind of experience that draws people to Ayahuasca and can significantly alter one’s perception of themselves and of their place in the universe.
[Source: http://vimeo.com/80337226 — Voice Media Group]
My friend, Mitch Schultz, director of the “DMT, The Spirit Molecule” film posted a link to some spectacular photos of an Iboga ceremony with the Bwiti tribe in Gabon, Africa. These are from a French journalist and photographer named Emilie Chaix.
Iboga is one of the world’s great vision-giving teacher plants, roughly comparable in power and depth to Ayahuasca, yet very different in its presentation and physical effects. An Iboga ceremony can be days long and extremely challenging to the partaker. It can also bring strong insights and learning, as well as healings, to the participant.
Click through to her site and check out this wonderful gallery of photos of the once very secret ceremony from the Bwiti tribe, who are maintaining this important world medicine tradition.
Check out this fascinating short animation called “Trip” from a duo based in Sao Paulo. They choreograph projected animated characters onto real life backgrounds.
The film illustrates the journey many are now making from traditional religions to the direct experience of shamanism, especially through personal interaction with vision producing plant medicines like Ayahuasca.
My final ceremony in the Amazon was not with Ayahuasca, but with the ancient medicine of the Chavin culture of the northeastern mountains and coastal areas of Peru. Huachuma is the most common local name for the plant whose post-colonial name is the San Pedro cactus. As both cacti contain mescaline, Huachuma can be considered South America’s parallel, if decidedly not equivalent, to North America’s peyote. Just as with peyote, this cactus has been used for thousands of years to bring humans into a powerful spiritual dimensional experience for healing and for enlightenment.
The ritual and ceremonial forms associated with Huachuma are based on the mesa, a literal table or layout of ceremonial power objects in the form of a cross. Much of this has been co-opted by the Catholic church and most “San Pedro Mesa” ceremonies are very syncretic and include objects, references, and appeals to Jesus, Mary, the saints, etc. My interest was to find the older, more authentic, pre-Columbian version of the cactus ceremonies, representing true ancient shamanism. In today’s Amazonian or Andean cultures, this is not easily found, but Howard Lawler is, surely, the best source for this kind of experience. He has been restoring this ancient style and level of Huachuma ritual for decades, and has been able to attain and establish a truly non-syncretic and very powerful mesa ceremony. His Huachuma Mesada Pilgrimages are intense, nearly two-week long expeditions to the ancient sacred sites in northeastern Peru to engage with the plant in the way and in the very places that the ancients did.
He also offers an introductory mesa ceremony in the Amazon for those, like myself, who are there to work with Ayahuasca but also wish to have an initiation into Huachuma. This actually makes a lot of sense, as Huachuma began in the Amazon with the concept of the water mesada.
Yacumama is the serpent spirit that represents water and the essence of life springing from the great Amazon. He is pictured as a serpent and as the serpentine river that winds through the great forest of life, enlivening all the inhabitants from plants, to animals and us. Water is the essential ingredient for life.
In Ayahuasca rituals, one works with Pachamama, the great female spirit of the plants and animals – this is Mother Ayahuasca, the “mother earth” spirit who engages, teaches, and heals within the context of the Ayahuasca medicina. When working with Huachuma, one encounters a complementary male spirit, a Grandfather Huachuma. He is expressed in the Amazonian ritual in the form of Yacumama, the essence of water.
The ritual begins at the great mesa that don Howard has created inside the ceremonial molucca at the sanctuary. This large layout begins with the lower world, then the crossbar mesa representing the middle world (our everyday dimension), and the mesa at the top representing the upper worlds. There is also a lancon or stone stela like the one at the great temple of the Jaguar. This stands at the cross point and represents the “axis mundi” or the world axis. It leads up into the heavenly realms as well as down into the unconscious worlds. The mesa is a three-dimensional map to a multi-dimensional universe.
Huachuma cactus is reduced to a liquid that is intensely bitter, but is not disgusting or nauseating as Ayahuasca is. Also, there are no dietary restrictions with Huachuma as there is in Ayahuasca. One drinks the liquid and is offered an immediate chaser of limonade – a tart and non-sweet lemonade that really helps to offset the bitterness and slight discomfort of drinking the medicine. This will be offered at various times throughout the length of the ceremony, which can take eight hours or so.
[Click on any small photo for a larger view.]
Unlike Ayahuasca, this does not occur at night with darkness and the singing of icaros. Huachuma is an animating and animist agent and it is useful to take it during daylight and, in the initial stages, get out into nature to see and experience it. We took the medicine at about two in the afternoon and after the initial rituals, immediately got into the boat for a trip some miles upriver to a tiny settlement. We pulled into the bank and walked along a long covered wooden walkway to get to the village. A few locals came out to see us and some of the kids played in the river or with a soccer ball while one boy presented a monkey for us to see. As this is happening, I was coming alive with the energy of the Huachuma medicine. A gentle rain began to fall, and the individual drops were superimposed over the verdant green fields surrounding the settlement. Each drop vibrated like electric diamonds and the greens beyond seemed to glow with life and energy. This is a very active medicine that, in this initial phase, engages us in a physical and super-awake mode that leads to a strong sense of joy and happiness.
Everything is alive! This is what animism feels like! As we returned to our boat, I settled in and took a fresh apple to eat. It’s flavor was enhanced in the same energetic manner as the objects I saw. It was delicious! A truly wonderful sunset glowed in orange and red like an open kiln under the rain clouds that began to gather.
As we motored back down the Rio Momón, that rain began to fall in earnest – a true tropical downpour. This was no ordinary rain, with or without our enhanced senses. It rained in sheets until the boat was literally encased in a tube of water. Water below the hull, water rushing the canvas above our heads as if we were under a huge waterfall, and not rain streaks, but walls of solid water on all sides of the open-sided boat. The pilot had to slow to a crawl and use his searchlights to make our way safely back to the sanctuary. Howard said that in his quarter century of living here, it was the hardest rain event he had been in on the water.
Rather than feel in danger during this huge rain, I and the others felt safe, curious, and engaged. It was obvious to us that we had truly invoked Yacumama – the Water Spirit – and he had manifested for us in a very big way.
With a safe return to the ceremonial molucca, and with darkness upon us, the next phases of the medicine began. In the presence of the mesa, we entered into a more internal space where introspection and visioning can happen. This lasts until about ten o’clock when the medicine begins to dissipate and we retreat to the dining hall for a good meal. This was the first meal in about two and a half weeks for me that had any salt in it. We had some bits of chicken that were fried with some salt, and they were truly delicious after the long diet and having just been sensitized with the Huachuma.
I feel like I have internalized much of the work I did with Huachuma and will be processing it in my life for a while to come, just as with the work with Ayahuasca. I was unable to continue on with Maestro Howard on his Mesada Pilgrimage this time, but hope and intend to do so next year. These ceremonies: five Ayahuasca, one Bobinsana, and one Huachuma over two and a half weeks, is enough for me for now. I am very happy to have had the opportunity, however, to work with Huachuma this time and experience the great Chavin Mesa and the power of this level and style of shamanism, based as it is on the very work that our ancestors were engaged in over three thousand years ago.
San Pedro ceremonies are rather common in the Andes and are generally not nearly as powerful in terms of the actual medicine used. They also blend in all the syncretic religious elements that tint the experience and give it a shape that does not originate with the plant and its spirits. I feel very fortunate to have encountered Howard’s mesa, an authentic, pre-Columbian shamanism that resonates with the power and energy of the great Spirits.